Isaiah.6

This ethereal transcription provides a new and different setting for the cherished psalm. The very free, almost chantlike rhythms and repetitive harmonies of this a cappella piece, coupled with an original

Brock Willard's take on the traditional Agnus Dei is as unique as it is refreshing! Willard's sound is spectral and ephemeral, but remains grounded to create a masterwork of harmony that subverts the

This selection combines the traditional with 21st century expression and looks to the eternal with hope and glorious musical vision. Lovely soaring lines in each vocal part create a beautiful choral

We welcome Hyun Kook to the Hinshaw catalogue.  This advanced setting of the traditional Latin is scored for unaccompanied mixed chorus (soprano divisi) and is taken from a longer Missa

A very poignant song. Phrases such as "Hush little baby, don't you cry, you know your mama was born to die," or "Oh my brothers, I must leave you here behind," view the approach of death in terms of those

This selection is a gentle lullaby based on an old Welsh folk song. With limited divisi towards the end, it has beautifully lyrical writing and will be a warm and welcome addition to any concert.

This song of praise celebrates God's works and God's kingdom. Antiphonal writing, rich divisi, and harmonic textures along with rhythmic excitement all create thrilling moments for choir and audience!

An animated, lilting, and dramatic a cappella work, this choral tour de force briefly quotes the hymn Praise to the Lord the Almighty in a fresh and innovative way. It is a truly impressive work

This exultant piece combines joyous "alleluias" with organ and oboe for a glorious tribute to God.

This piece is a more introspective and solemn approach to the traditional Alleluia but maintains a strong melodic feel, with soaring lines and a great mix of homophonic textures and counterpoint.

An excerpt from Kurt Sander's "The Divine Liturgy of St John Chrysostom," the first complete setting of the Orthodox Liturgy in English composed in the Slavic choral idiom. This work is a first-rate example

This piece has a dance-like feel and lilt to it, both in the lyric writing and the switching between a duple and triple feel in the 6/8 meter.

In his setting of Lynn DeShazo's song, Craig Courtney has captured the simplicity and accessibility of a beloved hymn and woven into it expressive nuances, including the lyrical a cappella introduction with

Careful editing and research bring this beautiful, polyphonic choral piece back to the performance hall. Part of the American Romantic Choral Series, this will be a great addition to festival and collegiate